R&B/soul group from Northeast Baltimore originally formed in the late ‘60s as a vocal harmony group known as the Conservations. Members were Ricky McIntosh (baritone), Harry Easley (tenor), David Byrd (2nd tenor), and Maurice Baker (soprano, tenor). In addition to their tight group harmonies all four were also capable of handling the lead vocal parts. As neighbors and ultimately lifelong friends the group hung out together and practiced every day to perfect their sound. Initially the Conservations performed at talent shows and school dances at Lake Clifton Jr. High and Dunbar High Schools.
With the addition of a rhythm section the group became the New Extensions. The backing band consisted of Anthony Cooper (lead guitar), Michael Kellum (bass), Thomas West (drums), and Jerome Smith (organ). Smith chose their stage name and also acted as the group’s manager. Ricky’s older brother Frankie McIntosh was a member of the Circulations who the group admired and strived to be like. The Circulations were always willing to provide guidance in helping the group to succeed.
The New Extensions performed extensively in the Baltimore area and throughout the mid-Atlantic region. Local venues included the Famous Ballrooom, The Scene, Monumental Union Hall, Steelworkers Hall, St. James Church, Port Welcome, Hopkins Plaza, My Brothers Place, Wagon Wheel (in WV)… The group also opened for the Ebonys at Ten East. They did some demo recordings at Flite Three Studios but did not release any records.
By the mid-‘70s the group split up although the vocal quartet remained close friends and continued singing together recreationally. Ricky continued to develop his songwriting skills. Along with Maurice, David, and brother Frankie have made many recordings of their original songs.
Easley later sang with the Softones…
